Creativity: Writing Life in Motion
This interdisciplinary seminar uses creativity as an organizing principle. Human culture and consciousness are explored through reading, writing, the arts, projects, studios, and discussions. An emphasis will be placed the cultural artifact know as the movies or film or the cinema or motion pictures or flicks or history written in lighting, etc. Students will explore the basic building blocks of this cultural phenomenon, business giant, and central art form of the twentieth century.
Monday, December 12, 2011
Film Project
Crazy, Stupid Love
If I Had to Start Over Filming
Things I would do different:
I would have covered an even simpler script, having been given such a short time frame.
I would not have turned my camera sideways during video capturing, as this has caused more than a couple of headaches.
I would have been more prepared with specific questions for the interview.
I might have considered interrupting the actor's interview responses, during original capture, every time I realized he was getting off track from what I was trying to accomplish. This would have cut down heavily on the amount of total video minutes I initially began working with.
Instead of making sub-clips of raw clips and using all clips to organize my storyboard, I would just throw all the raw clips into a single sequence, and used the 'razor' to edit them from there, and after they were edited individually, I could go back and puzzle piece together a storyboard.
I would have used Adobe's 'story' function to incorporate my script in to the editing process more efficiently.
I would delete everything but the highest quality clips/footage right up front... first thing. Instead, I chose to keep way too much crap footage "just in case" which just made the whole editing environment more cluttered.
Surprises While Making Short-Film
Things that surprised me:
Filming felt endless.
I became fairly obsessive with capturing multiple angles of the same shot.
I am enjoying the editing as much or more than the initial footage capture.
The 'razor' tool in Adobe Premier Pro is legit at shaving clips and allowing for fluid reattachment.
How often a camera, in a single-camera filming, is required to move, just to capture simple shots!
Lighting is a freakin' big deal.
Background/ambient sound is often worthless.
Much of the audio heard in major films must be soo edited to sound that sharp/crisp.
Auto-focus on a camera might be the best bet at this level of film making, but I imagine that a shot's quality of focus/rendering is a big topic in higher levels of film making... especially when the objects being filmed are in motion, requiring constant adjustment of focus.
Things I have learned about film making
Things I have learned:
Capturing moving shots is very hard without a shoulder stabilization device or equivalent.
Many shots would be better off without camera movement, but this requires the film maker to use multiple cameras, or film the same scene over and over.
Cutting shots may be the most effective way to tell a story; if I could only have one tool for editing, it would be the ability to 'cut.'
Adobe Production is a massive piece of software that can do about anything you want to do.
I am not yet talented enough with this software to make efficient use of it's capabilities.
Therefore, I often felt like I was using an elephant gun to shoot a squirrel.
How to use a boom microphone, and portable recording device attachment.
How to overlay audio with different video sequences embedded.
The importance of camera angle.